Albert Camus (1913-1960) was an Algerian-born writer, playwright, political essayist, activist, and absurdist philosopher, who in 1957 was awarded the Nobel Prize in literature. This essay focuses on his absurdist philosophy and in particular as exemplified in his work L’Étranger (The Stranger), written in 1942. In a comprehensive feature (Simpson, 2005) about Albert Camus, published on the Internet Encyclopedia of Philosophy (IEP), the author suggests that Camus’ concept of the absurd “does not simply refer to some vague perception that modern life is fraught with paradoxes, incongruities, and intellectual confusion”. Simpson goes on to explain that he believes that ...
Absurdist College Essays Samples For Students
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Perhaps the predominant turn in philosophy since the end of the First World War has been a move toward an adoption of the absurd. Before that war, there was more of a universalist approach to the world, but the events between 1914 and 1918, accelerated by the events between 1929 and 1945, took those universalist elements and dropped them squarely on their heads. Before 1914, even war was kind of a civilized affair, with warring armies frequently taking off Christmas, or even the entire winter; the Christmas truce during the First World War would be the last of its ...
Waiting for Godot
Waiting for Godot is an absurdist play written by Samuel Beckett. It covers many different social aspects that the author wanted to highlight and bring into publicity.
First of all, the characters and their costumes remind Charlie Chaplin’s ones. Both characters, Vladimir and Estragon, are dressed as tramps, their costumes are pretty similar that’s why they can exchange with each other. Moreover, they are wearing bid bowler hats, bid boots not necessarily matching their real foot size and big baggy trousers – all there elements can be found in the appearance of Charlie Chaplin. Hence, Estragon and ...
In the previous chapter we have shown how the alienation pervades both of the plays thematically. The present chapter concerns with the stylistic devices which are used by Arthur Miller and Samuel Beckett to support the thematic preoccupation. Since we are concerned with the study of drama, we judge important to include an examination of the stagecraft; that is to say the technical aspects of the two plays. The most important point to insist on is that Death of a Salesman and Waiting for Godot belong to two different, if not opposed, theatrical movements - Realism and Absurdism, respectively. As a ...