The master craftsman, William Shakespeare, in his Othello and The Winter’s Tale portrays some curious facets of femininity, maybe deliberately or not. Desdemona in Othello is a Venetian beauty with astute and resolute individuality, while Hermione in The Winter’s Tale is mysterious and majestic. When we take the reality aspect, the former is more realistic and true to life, which has implications even in this modern present. The latter is to an extent unreal, and somewhat fantasy. Character is everything in Shakespeare’s plays; the works have no existence apart from the characters. In Shakespeare’s plays, ...
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Abstract
The book The Tragedy of Othello, The Moor of Venice was written by the most famous poet of the world, William Shakespeare. This is a story about love, jealousy, and revenge. Othello, the protagonists in the story, is a Moor and a general in the army. His role in the Venetian army makes him a significant figure. Upon his promotion, Othello became the main victim when Iago and Rodrigo connived against him in order to destroy him. The jealousy of Rodrigo powered his hatred towards the man. Othello’s downfall was almost assured because of Iago’s flawless plotting ...
The handkerchief is white with red strawberries representing beauty, fertility and purity. It is important because it had belonged to Othello’s mother. It had been given to his father by his mother as a way to ensure his faithfulness to her. The handkerchief symbolizes loyalty, and faithfulness as well as family history to Othello. Othello implies that the handkerchief has magical properties when he says “there’s magic in it” (cite). This gives the implication that the handkerchief has a darker side to it. Later events seem to indicate that the magic/ power of the handkerchief lies in ...
Introduction:
general overview of the research project;
outlining of the main objectives of the work.
Project 1: Theoretical part.
Examination of Aristotle’s theory of tragedy, represented in his treatise “Poetics”;
outlining the main points delivered by the authors;
giving definitions to the philosophical concepts of Aristotle’s theory
explaining their essence in artistic context.
Project 2: Practical Part.
Matching the main principles of tragedy to the play written by the great Shakespeare;
analyzing the congruence of the tragedy principles delivered by the philosopher of the Antiquity to the tragedy produced be the Medieval playwright;
the researches own speculation about the concept of tragedy its main features in ...
Othello, the 1603 masterpiece of the master playwright William Shakespeare is more psychological than artistic, derived from Donald Metzer’s “Concerning the Stupidity of Evil”. Dr. Johnson says that his [Shakespeare’s] drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions (Johnson. p. 14). Shakespeare portrayed life ...
Introduction
If an individual were to compare and analyze the film “Othello” written by Allen Parker with the film “O” which was directed by Tim Blake Nelson, they would find a variety of similarities and differences amongst the two pieces of works. Though both the film “O” and the film “Othello” is based off of the original play done by William Shakespeare, there are distinct differences between the two films in context and basic thematic elements. There is also an array of similarities correlating to social context that are prominent throughout both films. Whereas; most viewers will notice right away ...
It is the cause, it is the cause, my soul.
Let me not name it to you, you chaste stars,
It is the cause. Yet I’ll not shed her blood,
Nor scar that whiter skin of hers than snow
And smooth as monumental alabaster.
Yet she must die, else she’ll betray more men.
Put out the light, and then put out the light.
If I quench thee, thou flaming minister,
I can again thy former light restore
Should I repent me. But once put out thy light, (Othello V.ii. 1-10).
In this scene, Othello prepares himself for the heinous act of murdering Desdemona. Before he does so, ...
Gender is the most evident theme that Othello explores. Swordplay is used as the primary device, and it plays a role in depicting different perception about women. Swordplay is also apparent in Goodnight Desdemona. Ann Macdonald’s parody of Shakespeare is classic. Similarly to Shakespearean view, the use of Swordplay in Macdonald’s play objects to represent women in the modern-day society. Swordplay was originally limited to men in Shakespeare’s early play. Swordplay was used to depict men who are aggressive, dominant, bold, and violent as compared to women who are submissive and docile.
Swords are weapon that ...
Othello is a Moor, a dark-skinned man from Africa and is general in army of Venice. Though Othello is an outsider to Venice and does not belong to its culture and race, still he has commanded immense respect and position for himself in Venetian civic society. His refines skills as soldier and leader has earned him this reputation. As apparent from Cassio’s statement that [the senate sent three several quests to look for Othello (l.ii.46). 127–129). Othello also captivates his peers with his oratory skills. Upon inquiring Othello that how he wooed Desdemona, duke remarks to Othello’s speech ...
Introduction
William Shakespeare is one of the prolific authors in literature, because he employs many devices that give his character depth. These devices can be manifested in the speech of the characters; as an author, Shakespeare effectively plays on words to give them multiple meanings which can be left to the reader’s interpretation. One example of this is in his play Othello, a story about the titular character and his conquests amidst the attempts of a traitorous comrade named Iago to destroy him. In this play, Iago delivers a series of soliloquies which reveal a lot about his character— ...
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For many years, people have associated Shakespearean plays with racial prejudices, mabe in an effort to determine whether Shakespeare was a racist or not. Shakespeare’s use of characters of color has raised controversies an curiosity on what role does race contributes to his plays. It should be noted that racism or the belief that one’s race is superior to another was already observed in 16th century Europe. It was during this time when Europeans become increasingly engaged with people of different racial origins through greater trade with Asia and Africa and the discovery of the ...
The concept of self has been viewed differently throughout the periods of cultural development. People always were trying to focus or omit the concept of their self personality and relationship with their self-esteem. The concept of self representation has been quite researching by the literary critiques. Many of them have addressed the issue. Eurocentricity is a part of Renaissance and its development, at least in the literary world.
Eurocentrism is the practice, cognizant or something else, of putting accentuation on European (and, for the most part, Western) concerns, culture and values to the detriment of those of different societies. ...
In Shakespeare’s tragic play Othello, the real villain is Iago. While many of the other characters, particularly Othello himself, commit actions that go against humanity, these events are orchestrated by Iago. On his quest to extract revenge against the Moor of Venice, Iago manipulates, tricks, and lies to everyone in the town to ensure that his plan falls into place. He shows no regard for anyone else, or for the moral code that resides within every human being.
Iago is a villain because he only cares about himself, and his own happiness. He is bitter about Cassio being ...
Setting is a vital part of any story; it helps establish context for the character’s actions, showcases the period in which the story is set, and allows a mood to be set. What’s more, a setting can reveal the passions or the conflicts the characters possess, becoming symbols themselves for the characters. The protagonists of many important literary works are inexorably tied to their surroundings, and the following three works are no exception. In this paper, the settings of Shakespeare’s Othello¸ Bronte’s Wuthering Heights, and Fitzgerald’s The Great Gatsby will all be examined in terms of their ...
29 March 2011
Belonging as an area of study requires exploration into a text or different typesof texts to
establish how the concept of belonging comes out. The concept of belonging reveals itself in a text depending on how a person’s perceptions and ideas are directed by culture and history , and may be the social context of the writer . The field of belonging therefore tries to find how different aspects of belonging come out in from a person’s experiences in life taking into account the notions of identity and relationships.
Texts do show or rather depict belonging in ...
In his play “Othello” Shakespeare shows how dangerous it might be to blindly believe a person. Othello truly believes Iago and never hesitates about the villain’s honesty. In fact the theme of honesty may be considered as one of the central themes in the play that moves the plot. Thus, the fact that throughout the play Othello totally believed the main villain and lier creates suspense and irony in the story.
It is worth considering that the word honesty is used about fifty times in the play. Moreover, this word is mostly used in connection to the character ...
Othello
What is honor and how is one supposed to restore it when it is jeopardized? Should one place one’s honor (or whatever he or she considers to be his honor – reputation, pride or suchlike) above all the other interests?
The will to restore one’s honor is a praiseworthy feature, but too often it becomes a weak spot for people who consider it to be the most important aspect of their lives. Very often we can see people, striving to keep or restore their reputation, or not willing to let anything that shows them in an unfavorable light, to ...