Men in Cages: Alienation and Liberation in Collateral (2004) and Phone Booth (2002)
The thriller and neo-noir genres have always been preoccupied with lost men in dark cities – the presence of the towering modern cityscape in urban thrillers is often used as a metaphor to demonstrate mankind’s alienation in a sprawling, dehumanizing, technology-obsessed city. “What makes the portrayal of the city [in film] as a wild, savage place plausible to us is at least in part our cultural memory that the city can legitimately be described as a jungle” (Light 155). The urban thriller often depicts city life as a depressing, shallow ...
Phone Booth College Essays Samples For Students
3 samples of this type
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Katz v. United States, 389 U.S. 347 (1967)
Privacy issues remain one of the key issues in criminal law and entire legal justice system. Katz v. United States, 389 U.S. 347 (1967) is one of the famous cases that highlights the nature of the right to privacy and provides legal definition of a legal search. The court’s ruling refined the former definition of the legal search and legal seizure clauses of the Fourth Amendment to consider infringement with any kind of communication technology as a search (Brandon Garrett, The right to privacy (Rosen Pub. Group) (2001)
(Garrett, 2001). ...
The verite documentary movement was a way of separating documentary film technique of new works from the previous era of sound documentaries from the 1930s and 1950s. Verite can be characterized by a greater dedication to realism in form, without the staginess and artificiality of previous schools of filmmaking. D.A. Pennebaker’s Don’t Look Back, about Bob Dylan’s concert tour in the United Kingdom, is an incredible work of cinema verite, with its stark realism and matter-of-factness in presentation of these events. Perhaps one of the most perfect examples of the ‘new grammar’ of verite as a filmmaking technique comes ...
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