Introduction:
It is no main feat to discover that the institutions of the state, the corporation and the family are institutionally masculinist especially in societies where the patriarch is of a dominant nature. This is certainly the case in the film, ‘The Girl with the Dragon Tattoo. The main character of Lisbeth Salander finds herself consistently on the fringe of society due to her queerness and the fact that she is troubled also makes her something of a misfit. The investigation which is undertaken by Salander also exposes the hypocrisy and blatant untruths used by those companies and businessmen to achieve their ...
