Example Of Decolonising The Mind Is Drafted By Ngugi WA Thiong'o' Essay

The essay ‘Decolonising the mind’ is drafted by Ngugi wa Thiong'o' is a non- fiction craft over the politics of language in African literature. The obvious point focussed throughout the essay is the behaviour of African towards the other imposed languages, which was far more different from their own customs. Ngugi emphasised over the negative impact of induced colonial languages by pointing over the limited access of African for education and learning of such new languages. The coherent style adapted for writing the paper intends to emphasize over the reality of decolonized language for implied audience (literary students and scholars) with the illustration of prominent aftermaths. Such an effort ought to entail sharp display of expressions to cater the requirement of nonfiction inscription. The author achieved the target successfully with appropriate combination of words and style.
In this respect, the author supplemented the ethos of the school of thought that supported African language and culture to be protected from colonizers, who intends to develop the sense that marks European language, as the only recognised language and literature of the world.
For example, to elucidate over the edge of educational focus in the country that essentially utilize foreign languages, author presents the fact with authoritative tone by stating,
“Thus language and literature were taking us further and further from ourselves to other selves, from our world to other worlds”.
In particular, the aim of the essay is to frame the correlation of culture of the place along with the destroyed native language for the implied audience (literary students and scholars). According to the author, the obstructed native language was bringing a culture to its end by eradicating information about the customs of the country. These customs could only be presented by natives to the implied audience who were detached from literature because of deprived education system.
The structure of the essay and organisation of facts granted the audience ease to grasp hold over the central idea. The precision of content for the demonstration of parallel ideas keeps the audience engaged in exploration of situation.
The courage of Ngugi to raise the topic of cultural secularism at colonised time was praise worthy. His mastery of focus in organisation of material proved highly convincing grounds to the fundamentals of argument. The focus on development and accumulation of literature from the original source without adulteration of colonial perceptions is the main convention of the product of Nagugi to present the ethos, pathos and logos in the most viable manner. He wrapped the content with ample evidence to support the notion in a graceful manner. The sequential flow of information rose from the fact of imperial language imposition on African to contamination of local culture due to use of colonial language and subsequent suggestions presented to waved the impact of blunt arguments, if any. Throughout the writing Nagugi have adapted convincing style with the support of the presentation of his own experiences and readings of ethos, pathos and logos in reference to the subject.
Nagugi supported the use of local language by showing his profound interest in the establishment of native literature from its roots of local culture, people, language and customs to elucidate ethos, pathos and logos.
Precisely, it can be concluded that an analysis of Ngugi wa Thiong'o, "Decolonising the Mind’ is a brilliant piece on the prophesy of art – with – purpose. The theme of his writing needed due attention on style, word choice, presentation of ethos, pathos and logics as supporting evidence with proficient organisation pattern. Nagugi succeeded to track the elements of ethos, pathos and logos with utter proficiency. Even though, much of arguments are outdated from the perception of modern society. Yet, his writing is a worthy source of literature for his distinctive writing and organisation style.