Example Of Essay On Lelawatee Manoo-Rahmings Passing Places: A Writing Analysis

Every poem develops its value based on the message that the author wants to send out along with it. Relatively, every author approaches the presentation of the message they want to present in a manner that specifically invokes the presentation of their creativity. Being born in Trinidad in 1960, Lelawatee Manoo-Rahming has been gifted with a rich background that identifies well with her being and her capacity to develop perfect visual presentations of her messages in most of her poems. In the poem Passing Places, Manoo-Rahming does more than just narrate here experiences about a life that is rich in adventure, she also creates a picture that brings her audience into the realizing the emotions that she has experienced during such times. Relating her travels to her emotional state during such experiences, Manoo-Rahming helps her reader become involved and get the indulging condition by which she becomes highly dependent on how her background serves well with what she feels within each turn of event in her life. Perhaps realizing that her readers might have felt the same way one way or another in their lifetime, she goes on deciphering her emotions and making sure that her readers would be able to understand how an individual deal with difference changes in their lives and how their emotions serve a great deal of investment on facing such situations.
In her poem Passing Places, Manoo-Rahming clearly states how being able to travel around with a loved one is largely different from being alone. Not that she despises travelling by herself, but she clearly defines the experience to be strongly related to the condition of the heart and the relative perception she has developed towards love, life and happiness. The term ‘passing places’ simply dictates how Manoo-Rahming wanted to show her readers that her situation was rather defined under the circumstances of simply passing by each memory to keep her heartaches at bay. The idea of ‘passing places’ suggests an act that identifies with the desire to see a place but not necessary desiring to stay in it; this utilization of simile in the title alone presents how the author wanted to bring her readers into an experience of developmental considerations that aim to make the readers think of their own experiences about the dilemma that the author was experiencing. She did not merely want to point out about the act of simply ‘passing through places’, she wanted to specifically indicate a huge distinction on how and why such action is highly valuable to humans which depicts their being and their emotions towards the actions they take into account.
Manoo-Rahming brings her readers to Scotland where she shares a journey with her loved one. From the first stanza towards the second stanza of the poem, the feeling of excitement and preemption of the ‘happy times’ specifically identifies well with how the author introduces the man she is infatuated with. Utilizing the term ‘home’, she mentions how Scotland felt as comfortable as home not because of the place itself but because of the presence of the one she loves; to which she refers as the one person who has managed to pick her up from her many mistakes in the past. The reciprocation of such infatuation is however not indicated in the poem. In fact, between lines 19 to 28, the author shows a distinct state of confusion and doubt as to whether or not the man she loves specifically loves her the same way. In the lines ‘for five years, I have wondered if you ever knew’ , it indicates how long the author had her eyes set on the man she loves but she never did anything about it. Such feeling of doubt could be frustrating, and the direct way of saying so on the part of the author gives the poem a value of factual presentation that manifests the manner by which the author want sot directly describe her situation; particularly reaching out to readers who might also be in the same state of mind or same state of relationship.
In the forthcoming stanzas, such confusion is clarified through the utilization of metaphors and more assumptions of simile-defined phrases that brings about the realization over the poet’s state of emotion. Through lines 37 to 40, the author notes how she sees the actions of her loved one [the driver] to be directly related to what he feels, that she even analyzed his illustration of “cars never colliding” in the streets to be the primary distinction on how he feels about the emotion he has for her and the adoration she has for him, which will never meet in the middle. Into her ears, she thinks that he is pointing out that like cars never colliding in the street, so as their emotions never going to meet in the middle; they are just travelers passing beside each other, letting go of their feelings and letting things happen s they are. To let go of such love was necessary, for if it is not ‘passed by’ then the heartaches would be deeper and the pain would hurt more.
Redirecting her readers to a realm of self realization and self examination through identifying well with her emotions and bring her readers into such an understanding over the frustrations she may be experiencing, Manoo-Rahming was indeed able to paint a perfect picture on how an awaited love fails and how such failure affects the being and perception of an individual towards love and life in an overall context. The travel or the journey that was depicted in the poem could represent both an actual process and a symbolical presentation of facts that the author thrives in. Notably, Manoo-Rahming wanted to bring about a sense of realization among her readers about the uncertainties of love and how such frustrating feelings could cause a great deal of depression and disappointment, the utilization of both simile and actual presentation of what she feels about the situation she is facing brings her readers into a contextual understanding on how much worth such love serves he rand how she needs to ‘pass by it’ and realize that life goes on after the failure of a dreamed-affection from a person who feels otherwise.