Introduction:
On page 41 of “Gawain and the Green Knight” the poem speaks more of metrical romance. In this context the poet brings the theme of hunting and seduction. This is in relation to the frequently distinguished corresponding flanked by the three consequent hunting panoramas which are followed by the three seduction scenes. This clearly highlights the correspondence of the scenes that actually does arise when the lord goes out hunting. In this context the scene that does arise is the one which is illustrated by the lord rising early in the morning and goes deer hunting.
In these presented scenes a clear illustration of betrayal does not arises when the wife of the lord does submit herself to the sexual advances in Gawain room. This is because it was planned by the lord so that his wife can try his honesty when he goes out hunting. “As for the wooing of my wife, I managed it myself. I sent her to try thee, and truly it seems to me thou art the most faultless hero that ever went on foot” (JESSIE L. WESTON 1999). The noble rises earlier than dawn with his men and his persecutes and goes deer chasing. On the first day Gawain is visited by the lord's wife. The woman with whom he had been exchanging chivalrous prose for actually the preceding a small number of days. She maintains him in bed. This is achieved by her not departure his scope so with the intention of, he can dress and actually advance and arouse her. They engage in a talk all at the break of day, exchanging courteous verbal communication back and forth.
The lord’s wife starts her mission in the essence that she tries to accomplish her mission of sexually seducing the visitor who was in the search of “The green knight”. The theme is illustrated in the context of this clause; “Gawain and the sweet lady together they sat in the midst, as the masses came together; and then throughout the hall, as seemed right, each man in his degree was graciously served” (p.41). The article further illustrates the concept employed in the trial of Gawain by the woman to enhance the point that it was not betrayal was happening on the backyard of her lord because it was planned. At the end of the day the lady plants a kiss to Gawain and literally leaves behind him in his room which is a clear illustration of the advances and the sexual affiliation she had for the stranger which was not a sign of actual betrayal on her part to her husband.
The poem which has employed the versions of the biblical context, seeks to bring into the lime light the various tribulations that does happens in the context which illustrates the eldest version is potted in Biblical documentation. The anecdote of Joseph and Potiphar's wife. A theme not unwelcome engaged by medieval authors, such as “Studies on the Legend of Sir Gawain” (JESSIE L. WESTON). In addition to which remarkably come about in what we may perhaps call “the Launfal group of stories”.
The clear illustration is brought in the overview that counteracts the actions that does happen in the rest of the day. At the last part of the day, the lord offers Gawain the present of red meat. In his part Gawain gives him his kiss, even though he overlooks to let him know the noble that it is from his wife. Is a clear indication Gawain was also suspicious of betraying the wife of the lord who has been courteous to him the rest of the day. Hence in the essence of him kissing his lord once before retiring to bed indicates the intriguing events that occurred during the day while he was away.
The second trend of events happens the next day when the lord and his men run after a gigantic undomesticated boar each and every one day long. At the end of the day, subsequent to it evades them all day and hunts a number of men and dogs, the lord actually has a fight with the creature in a river. This is illustrated by him killing it by plunging his sword through the throat and kills it. The similar day for Gawain is paid a visit by the lord's wife once more. This time they swap over polite prose again all morning, Gawain ward off her ever supplementary presumptuous advances.
This brings a clear illustration of the theme of seduction in which the further overview that the lady illustrates her yearns to Gawain in the context that illustrates the context of faked personality in the general context. Hence at the end of the day his lord brings him a head of a boar which was put on a stake specifically for him as a present. Then Gawain kisses his master once again twice a clear illustration of the symbolic kissing that was given to him during the day. In this category the lord understands that his wife had kissed the man twice during the day when they were together hence illustrates the context under which his visitor, has become once again honest to his wife and have not given in to the sexual advances that were posed to him, by her.
On that night Gawain tries to push his lord to that night. This is through convincing him that he has to go away in the morning to search for the “green chapel”, but the lord persuades that he hang about. On the third daylight hours the similar come about in the context that looks forward to persuade him. The lord's wife acts skeptical at the actuality with the intention of Gawain have not yet on the same context submitted to her advances. This time round Gawain still puts her off still, and even despite the fact that she was that angry, she asks Gawain for a gift so she can remember him. Gawain refuses, with aphorism that he has nonentity praiseworthy of her attractiveness.
On part III page 46 of the “Gawain and the Green Knight” the poet further illustrates the concept that did arose when Gawain refuse to the advances of the wife of the master advances. She first offers the gold ring of which he refuses and then gives in the context of offering the green belt which she assures that it was magical and will prevents him from dying. Gawain accepts the belt, thoughts of his destined congregation with the “Green Knight”.
Finally the lord offers him the prize and kisses him three times and allows him to go away and ultimately shown the “Green Knight”. This indicates that the master had saw that Gawain was strong and passed the test which made him to be given the tool to face the green knight. This theme of love brought in the context of seduction highlights how the character denied the advances and symbolically won the trust of his lord to go and meet his ultimate goal.
Works cited
Jokinen, Anniina. "Sir Gawain and the Green Knight." Luminarium. 28 Jan 2010.
Burnley, J.D. "The Hunting Scenes in 'Sir Gawain and the Green Knight' ". The Yearbook of English Studies. (1973) Vol. 3, pp. 1–9.
Baragona, Alan "Rev. of Howes, Borroff, Sir Gawain and the Green Knight". Journal of English and Germanic Philology 111 (2012), 535–38.
S. Kline, Sir Gawain and the Green Knight 2007
JESSIE L. WESTON translation of sir Gawain and the green knight 2006.
W. W. Norton, the Norton Anthology of English Literature. 2006. pp. 19–21 and 160–161.
Burrow, J. Ricardian Poetry. London: Routledge and K. Paul, 1971 pp. 4–5
Norman Davis Sir Gawain and the Green Knight, 1925
Hahn, Thomas. "King Arthur and King Cornwall". In Sir Gawain: Eleven Romances and Tales. Western Michigan University Medieval Institute Publications, 2000 p. 427.
Kegan Paul Burrow, J.A. A Reading of Sir Gawain and the Green Knight, 1965. p. 162.
