Free Anton Webern: Drei Kleine OP.11 Essay Example

Anton Weber (1883-1945) was a music composer and conductor from Austria. He studies music in Second Viennese School under the mentorship of Arnold Schoenberg. After completing his tutorship from Arnold uses an advanced language in the Passacaglia, that is more distinct orchestra work. He becomes an expert in the technique of total serialism to design pitch organization and other dynamics of music. Anton's late work applies piano, concerto, and the symphony as traditional techniques of composure. Anton manages to make thirty-one compositions during his lifetime using the uses Spartan twelve-tone technique. The twelve-tone technique uses four groups of three pitches that have variations of inversions and retrogrades to create invariance. The three little pieces for Cello and Piano use a Spartan architecture where one can hear every tone. Anton chooses the timbres that translate to detailed instruction since one can apply any extended instrumental techniques.
Anton composes an opus catalogue number eleven in 1914. The title for this music is 3 Kleine Stucke that adopts the 20th Century style. The three small pieces for the Drei Kleine Stucke include Massige Achtel, Sehr bewegt, and Ausserst Ruhig. At the time of the composure, Anton was 31 years old. This music was published in 1942 when Anton is 42 years old. This music makes use of a cello and a piano. The three little pieces use textual contour and a medical structural level. Anton uses the textual contour to emphasize symmetry, as well as tone development. The three little pieces apply a 20th Century symmetry of contour of Back ‘n Forth. Anton piece makes a connection between the works of Bach and Baroque. Anton serialists fascination is transparent to derive scores from music analysts. Anton serialists works resemble the Mondrian canvas. The Three Little Pieces for Cello and Piano uses octave displacement to create motive unity