Good Example Of Essay On The Invisible Art

Scott McCloud book, Understanding comics: The Invisible Art uses symbols and concepts like human reflection. Often, artists recognize these concepts, blend this creation of symbols, simple or distinct, to invoke different feelings and reactions within the readers and to deliver certain messages and emotion to the audience. McCloud makes the reader an active partaker within the comics and to create own realism based on own visions and ideas. Arguably, when taking the images, symbols, icons, and drawings and putting them in a picture, language and reality, differentiating them from abstract, the realism, and considering all icons/images that fall between, one gets a glimpse of the artist’s inner thoughts.
McCloud elaborates that there are infinite ways of steering a person’s imagination. To make the comics an individual masterpiece by reading them and interpreting them how a person’s mind fashions them. McCloud’s work portrays how humans are close to objects. Example is a car and how people have the car in minds. Notably, comics and cartoons are represented as something attached to people with their element. Arguably, comic are more detailed compared to cartoons; kids want to emulate them in reality and dream. Through McCloud’s work, it is easy to understand that not much has changed with pictorials from Greek writings, to symbols of Egyptian and to the 21st Century when there have evolved new and improved writing techniques. People are naturally attached to symbols, words, language and writing. Artistic work is created so that people can understand them.
Notably, McCloud’s depicts that by abstracting and simplifying the major image to its most fundamental design. All distracting and disqualifying features that create the barrier between audience and the artist are eliminated. Possibly, while realistic fine points increase the “genuineness” of believability of the artwork, inadequate details doesn’t lessen its satisfactoriness as the actual object. The subconscious work and the mind’s eye collaborate to accurately connect the dots and fill the gaps where in reality; there are no connections in ink and paper. Realistically, just like the children’s game of connecting the dot to create a picture – a complex image is completed where none existed before. McCloud examines the interchange of comic images and text and points to the movement from the extreme of pragmatic imagery and a vital text.
McCloud acknowledges that a balancing act proceeds between and progressively simplifying visual image and the increasing complexity of the dialog. This balances the perception of reality and realistic information between universally implicit icons and language precise text. McCloud uses a triangle diagram to depict a range and evolution of pragmatic drawing to the abstract design and simplified iconic imagery and expressions. McCloud pulls together the concept of simplified/Abstract images vs. realistic and the way to engage the audience. The realistic styles used by many several cartoon/comic artists is disseminated and analyzed. There has been increased re-emphasis on the increased use of universality and continued need for comic art, symbol and icons. The evolution of visual image through comic resounds with any choreographer. Amazingly, the literal movement, in dance or pantomime, can be placed into an abstract gesture to an extent that it no longer looks like an original movement. Nonetheless, when composed and performed right the abstract gesture conveys the essential essences “emotions” of plain movement. Notably, that simplified abstract movement communicates the emotion, action, personality and/or object comprehensible to the audience without using any form of a common language or spoken words.
A major exercise that young choreographer are offered is to initiate mundane action i.e. opening a door and walk through, then break it down to the quintessence of the movement. Remarkably, that quintessence is then manipulated into another thing – bigger or smaller but in a different movement plane and quality and still maintains the communication and feel of the door being opened and walked through. In his work, McCloud illustrated realism to the abstract concept with the smiley face & Photograph; it acts as a reminder of how dance has gradually evolved. The entire concept of connection with the audience by simplifying the content and incorporating only the essentials and adding realism reminds of a process of teaching. It starts with essentials, getting them ingrained and then adding more layers of details. The concept of McCloud includes mixing complex/realistic with simplistic/abstract by initiating simple steps that are piled on top of each other through canons, staging, ripple sequences or movement progressions to provide the audience with a visual complex moving image whilst the dancers perform a succession of simple phrases and steps.
In order to understand comics, McCloud examines them as an art form. McCloud believes that comics have existed for centuries; however, many great works of art are inaccurately categorized as other forms of art as a substitute to comics. McCloud affirms that the basics of these genres are; depiction of motion, the passage of time, and vast interpretation by the reader as elements that are unique to comics. Notably, McCloud provides a detailed account of the medium and includes many examples of styles and strategies that are used. McCloud peppers his book with many examples of works of renowned comic artists, along with techniques that attribute to their success in the evolution of comic artworks. The book also provides with many visuals that demonstrates each concept McCloud introduces. Arguably, McCloud contrasts the work of Eastern and Western artists and elaborates the influences of numerous non-comic artists like Monet and Picasso. In addition, McCloud break new ground on the concept of closure or the manner comic readers interpret events that invisibly crop up within the space individual sections in the comic.
Notably, McCloud has numerous examples of all types of transition, panel shape, as well as, line style that show the reader how each attribute potentially includes a different element to the portrayed image. All the procedures that are involved in creating any form of artwork can be examined exclusively. Even though McCloud affirms that every artist must follow variations of the formula, he conversely states that only creators choosing to focus on concepts and ideas over form can essentially elevate the medium to a standard level. He briefly analysis the merits and demerits of using color in images particularly through conventional four color process used in U.S.
In conclusion, the influence of expressionist on comics has been deeply analyzed. McCloud has provided examples of various ways in which different comic artists appeal to the reader’s sense and how they convey mood in their artwork. In McCloud’s work, one learns how to portray different emotions through different images with or without adding word balloons and sound effects. Arguably, more adult literary critics will eventually accept comics as a form of art that is similar to film, music and written word. This book is a theoretical examination to procedures that are necessary to move comics to a field of greater appreciation and respect.
-Work Cited-
McCloud, Scott, and Robert Lappan. Understanding comics. New York: Paradox Press, 1999. Print.