Safavid Shah original version applies Turkish dialect of Azerbaijan. It contains a collection of poems that depict religious and secular themes. The poems have paintings that relate to the secular objects. This form of poetry relies on the fervid language and controversial claims of the Qizilbash supports. The manuscript uses a style to suggest the production during the lifetime of Shah who was loyal. One of the portraits depicts five elegant young men standing at the garden with flowering trees with a pool at the center. One man holds arrows while another hold a sword. The painting shows a picture of a boy who portrays service to the master when he holds a necklace to a lowered position. One of the men wears a turquoise robe while he gives a purple robe to the friend. Khan as the leader of the group wears a blue robe and a green shirt.
The textile of the fabric does not have decorations while the accoutrements do not diminish the abstract power of color. Safavids took control of the Khursan in the 1511 from the painting of the sitter who wears a Safavid turban. The painting of Hatifi suggests that Bihzad deviate from the idealization of the Persian painting. Bihzad remains in the Heart during the reign of Prince Tehmasp prior to him becoming a Shah.The influence of Bilzad in his old age leads him to be the head of the Safavid library. His work is to oversee the work of artisans in the Shah dynasty. As the head of the royal library, Bihzad is sole responsible for the Safavid scriptorium. He coordinates painters and calligraphers and ensures thy have adequate raw materials for their work. Shah Tahmasp manuscript has 380 folios and 258 pictures covered in a gold-sprinkled paper. The Shahnameh begins his work upon the return of Tabriz from Heart. The illustrations of Sultan Mohammed of the Shahnameh apply yellow-tipped leaves that have an eccentric treatment of space.
The court of Gayumers depicts scale of figures and other compositional details consistent with the manuscript. Sultan Mohammed illustrations range from static brightly colored architecture that incorporates elements from nature. The influence of Bihzad causes Sultan Mohammad to adapt to a sober palette in the composition. The mid 1530s illustrations contain outstanding qualities to distinguish his early work. They have visionary and expressive qualities to suggest the artist maturity and gravitas.
Mir Musvvir is the second director of the Shahnameh project whose origin is in Badakhshan, Afghanistan. Mir Musavvir is a portraitist familiar with the mode of Heart. He manages to work and create pleasant images. As a director of the Shahnameh project, he composes balanced paintings that auger well with the world of Bihzad. He uses a painstaking analytical approach that is exceptional among the painters in that era. These exceptional qualities enable his being named as a director in the Shahnameh project. The directorship of Mir Musavvir at the Shahnameh project lasts up to six years. Mir Musavvir contributes to the ball and polo stick attributed to Sultan Mohammed.
