Jazz music is also called Dixieland music. Its development started in New Orleans hence the assumption of the name. Its commencement can be traced back from the nineteen tens to the nineteen twenties. It is at that time that it started spreading to other states from New Orleans. It involves swing notes, polyrhythms, syncopation and improvisation.
The development to Jazz music is linked to the struggle that necessitated the end of slavery in the United States of America. In this context, however, New Orleans is to the best of our interests the epicenter of Jazz. The trend, which followed, thereafter of putting to an end to the slave trade facilitated the availability of Africans and Americans in their freedom to engage in various occupations and other forms of engagements that were from a free will basis and volition of respective people. It marked the advent of black musicians, dancers and individuals who proved essential in crew formation. The music industry, therefore, got its stem from the segregation phenomenon. It had been solved, the effort that had ardently been put into place, instances small tints of racial segregation prove irresistible since Africans still faced the same effects in the music industry. On the positive side of it, the music industry further developed. Africans were psyched up to do their best in whatever capacity the dominant white subjected them. It further led to the generalization that, Jazz music found its place into the society that comprised mainly of the African American and American people. The American popular music had an impact on the development of Jazz music.
The culture of these individuals is what significantly spearheaded the developments of Jazz Music . Let us take funerals for example; songs that were incorporated in the occasion were mostly of the Jazz species. Owing to the fact that, deaths were just like any other thing at that time, especially because medical amenities were not as developed as today, Jazz was positioned at an angle that, significantly led to its great development in a span of less than a decade. Similarly, the blacks that were in New Orleans did participate in many cultural practices that stemmed from all corners that are ascribed to in an African context. Child naming, for instance, would be accompanied by music. In commemoration, Americans had already adopted the jazz music; they occasionally visited areas that were remote in location. It included going Deep South in an outreach effect to the African communities.
Early blues also actuated the development of Jazz music. Plantation workers endeared themselves towards facilitation of enormous growth of Jazz music.
Popularly accepted theories stated that Jazz stems from a normal combination of African rhythms and the European harmony which was in the desired need of little of the revision. In this regarded, African music supplied the strong underlying beat which was an absent scenario in most of the European music. In the use of polyrhythms, the idea of playing the melody separate from or above the beat was possible. It is also clear that, the music provided for formal and most updated dancing rhythms. When combined, the rhythms resulted in giving Jazz the characteristic swing that it corresponds to .
Likewise, harmonies and the musical ideas of the countries formed the backbone that has led to the present day Jazz. Countries at present represent blue notes that acquire their derivation from the pentatonic scale of Jazz. They have a structure and direction that takes the conventional shape of, "call and response" The unconventional music instrumental timbres and aspects of the African music in conjunction with conventional" harmonies led to the formation of the formal structure of European music. The multiplicity and plurality of ethnic, musical and cultural conditions did spawn up and influence music to a tantamounnting level and degrees. Jazz was and was thus relevant to all the states of America. Specifically, the Orleans stands out as the beneficiaries of this mode of life that was under the above factors support and contemplation. It is in accordance with what the respective relevant people want. The most necessary and philosophical impetus in the category of Jazz is representative or participatory democracy. The rights and freedom of individual expression are under the overwhelming support and aid by group interaction. Jazz music has extended to all parts of American. It is also prevalent in schools.
Establishment of ordinances helped in shaping up the advent and development of Jazz of in the united nation of America. The Storyville Ordinance of 1897 moved prostitution as legalized. It led to increased partying scenes. Increase in social attendance by people of all sexes was the in thing in as far as music is concerned. Most men would attend jazz functions not just because they were interested in the music.
The immoral and loose in ethical conduct men would more than often be seen going to social halls , clubs, discos and all manner of joints with an actuated and basic interest of getting services from prostitutes. In this regard, the attendance did cut across professions, class stratifications, knowledge and the position that the society placed upon individuals. Taking Jelly Morton for instance, once the professor, started on the indulgence of attending clubs that were popularly inhabited by prostitutes. He was eventually received by his family on a saddening note. Including the children, his wife disowned him evolutionarily. His reformative measures and promises could not be taken in for a minute. On the other hand, music Industry with special consideration of Jazz was getting fame. More artists would come up as a result of its assumed competitive nature. In summation, their will was to prey for money; musicians were able to actualize their music desires that would in return give their expected benefits from the music. It is by convection that, genre of music has economic benefits for the dancers, producers, musicians and songwriters; the developed the music genre will likely be .The inverse is also true.
Creole culture impacted in the development of Jazz music. It was facilitated by its outstanding crafts and creativity. The pioneers of jazz music appreciated the opportunity granted as it ended up being worthwhile and extremely important to include crafts into music under the design of Creole culture.
The Spanish tinge contributed towards the development and growth of Jazz Music. Its rhythms were strongly appreciated in the form that, proponents of Jazz music took its application to Jazz Music.
In conclusion, Jazz music is a product of cultures. Its development assumes a sharp trend which was promoted by almost all factors. Unlike other genres of music that face challenges in their preliminary stages, Jazz music received an upward frontal support. Its magnificent aspects that it has acquired to today can better be referred back to the 1920s.
Bibliography
Geoffrey, Ward. Jazz: A History of America's Music. New York: Alfred A. Knopf, 2010.
Raul, Fernandes. From Afro-Cuban Rhythms to Latin Jazz. New York: University of California Press, 2011.
