19th Century Humanities
The Industrial Revolution
During the 19th century, Europe was both divided and united profoundly, and a figure of the main cultural trends spread. After 1871, European countries were increasingly linked to the diplomatic communication and culmination in worldwide alliance networks. It was the century of nationalism expansion thus, people guarded identities jealously and established stricter border management. The European world was divided amid two regions of differential growth (Krech 15). Political liberalization and industrial revolution amendments spread fastest in France, Scandinavia, Western Europe, Britain, Italy, and Germany. Southern and Eastern Europe changed at a slow pace and in different ways. In the 19th century, religious exercise in Catholic Europe was a complicated thing, and factors like gender, region, and class affected it adversely. Despite being associates of the equivalent faith, the spiritual experience of Bavarian peasants differed with that of commercial personnel in Barcelona. The Catholic community was a more homogenous thing, due to the lack of better words despite that, class and cultural barriers existed. In the 19th century, the massive amendment that changed the European society had a weakening impact on this constancy, and the house of God accepted to react to a diversity of unique and new challenges in Europe.
19th Century Visual Arts
Impressionism is considered as the initial, distinct and modern development in painting. Its impact spread through Europe and the U.S. from Paris. The designers, who declined the government exhibitions and accordingly shunned by strong academic art foundation, invented it. They aimed at catching the momentary and receptive effect in running away from the fine finish, which most designers of the time aspired (Datuin 14). Many impressionist designers moved from studios to streets, painting pictures to attain this impact. Visual arts included drawings, sculptures, and painting. Artists avoided using the thick blond varnish that artists applied customarily to complete their works. The 19th century experienced the growth of synthetic colors; yellow, green, and blue, for designer’s paints. The most influential artists included Pierre-Auguste Renoir, Paul Cezanne, and Claude Monet (Datuin 18). Paul Cezanne, for instance, features an area of the current synthetic ultramarine and cerulean blue. An individual, who is interested in 19th-century visual arts, should consider painting because it is easy and used to show spiritual ideas and motifs. Painting intends the utilization of this exercise in mixing with composition, drawing, and other aesthetic thought to reveal the conceptual and expressive purpose of the practitioner if it is applied creatively.
19th Century Philosophy
Idealism is the epistemological and metaphysical doctrine that, thoughts and ideas make up fundamental reality. It refers to any doctrine, which upholds that, the real knowable is the perception that people cannot be confident about the existence of matter. Hence, the only actual things are psychological entities, and not material things. It is a shape of monism and differs with other monist opinions, such as materialism and physicalism. It is contradicted with realism. Idealism explains a high individual ideal, at times with connotation that, ideas are impractical or unrealizable (Stone 25). It covers a figure of philosophical circumstances with quite distinct implications and tendencies. The advanced tradition attempts to apply and develop the scientific feature of the new thinking. Utilitarianism is the moral belief that, its presentation ascertains solely, the ethical value of an act to the overall benefit. It is hence, a method of consequentialism benefit, which several thinkers describe as pleasure, wellbeing, and happiness. While it is normal to regard the happiness of individuals when explaining this belief only, some utilitarian calculate the interests of all people and necessary beings when evaluating the overall benefit. According to these utilitarian, the heed of extraterrestrial beings and animals is important.
19th Century Performing Arts
The 19th century brought tremendous upheaval to Europe and Western societies. The industrial revolution and democratic ideals swept via Europe and altered the day-to-day lives of residents at all degrees. The main reasons for disputes from Napoleonic wars to American civil war were the struggles between the new and old world orders. These changes changed adversely the being of composers, musicians, and creators of musical apparatus (Mccarthy 13). In earlier eras, the church and court employed the musicians, who were just servants to liberal circles. Composers drafted music for presentation in these places, and musical apparatus makers produced tools for wealthy patrons to perform. The 17th and 18th centuries were polite and turbulent; they were eras of pretenders and virtuosos; of enlightenment and libertinism, romanticism and reason. It saw the growth of novel, birth of modern encyclopedia, cult of crafting and sensibility. In the 19th century, massive amendments happened. It was time for the industrial and political revolution. The "age of reason" paved the way for realism and romanticism. The increase of middle class, the growth of cities, and mechanization of all things caused radical changes. For instance, science gave the square with limelight, incandescent bulb, gas, and arc light.
19th Century Literature
Few individuals have expressed the rise and decrease of civilizations that were exceptional sonneteer of ancient and current times. These paragraphs have seized the nature of individuals in unique works, varying from fictional accounts of battle to satirical mockeries by merging elevated speech with romance, warm adventure, and betrayal. To exhibit such grand presentations of heroes, epic poetry follows a particular time-tested phrase. The epic poetry includes the Homeric poem, Mahabharata, and Virgil (Luebering 20). Via the middle of the 19th century, the brief tale received little critical awareness, and most valuable surveys of the shape were often restricted. The brief story is interested with a lone impact, which is conveyed in a significant episode. The form prompts environmental economy, concise narrative, and omission of the complex plot; persona is revealed in dramatic, and action experience, yet the development is seldom. The capability to give a complete treatment of the subject and characters of a tale concluded its briefness. The "Lonely Voice" is an example of a short story. The writer tries to account for the genre by saying that tales are means for "submerged populations groups" to tackle a dominating society fully. Short stories are the most commonly read.
Work Cited
Krech, Volkhard, and Marion Steinicke. Dynamics in the History of Religions between Asia and Europe in Past and Present Times. Leiden: Brill, 2010. Print.
Datuin, Flaudette M. V. Home, Body, Memory: Filipina Artists in the Visual Arts, 19th Century to the Present. Diliman, Quezon City: University of the Philippines Press, 2002. Print.
Stone, Alison. The Edinburgh Critical History of Philosophy: Volume 5. Edinburgh: Edinburgh University Press, 2011. Internet resource.
McCarthy, Kevin F. The Performing Arts in a New Era. Santa Monica, Calif: RAND, 2001. Internet resource.
Luebering, J E. English Literature from the 19th Century Through Today. New York, NY: Britannica Educational Pub. in association with Rosen Educational Services, 2011. Print.
