Change in the ecstasy conception of Hero and saint in the materialization of Romanticism are seen in the characters of St. Francis and Dante. The Hero reveals on how worldview which the humanist are leading a money-oriented life. The distant forces of fate necessities destiny and indifference of human desires forms the world. The Hero finds his way to self-efficiency and goals of self-achievement right through the success and skills, and overcoming the difficulties in order to conduct his fate wholly and perfectly (Stone).
Conversely, the Saint put emphasis on diverse judgment of the way of life. Saint’s identifies oneself with relation to soul or Godly, to others, a standard get together of care, responsible and, anxiety whose significant mission is to worship itself. The two characteristics of the hero and the saint are a symbol of characters that are adequately proficient to be accepted on in the course of diverse s and culture times (Stone).
The personality of St. Francis goes by the two fundamental natures in the character of the ecstasy lady and a Romantic devotee. The conception of romanticism worshiping, which is vital at medieval time is a symbol of the transference of accessible concept of individualism of West. The two characters interpret the romantic desire to do services for an intimate and mystical relation with God. On the other hand, the love of a woman will be mending, and that is what people dedicate and love (Stone).
Michelangelo’s Agony and Ecstasy Michelangelo’s agony and ecstasy transformation is characterized once he worships a marble resembling his own existence and evading on white stone, which expresses a situation of ecstasy to him. Nevertheless, he is besieged as soon as he is caught up to enclose the thing he was yearning for. Nowadays most people are bound to perform the jobs they do not love, and their motivations are elsewhere due to unavoidable reasons. When one is told to do a job that does not inspire to productivity, one feels agony. Alternatively one becomes ecstatic when he is given a chance to perform where his interests lie; he does his best in order to accomplish his goals and aims as well as to execute their destinies (Ford).
In the clarification, a sequence of significant cultural conversion distinguishes the hiking of the courageous secularism and worldview. For instance, the outlying accomplishment connectivity of disagreement of Martin Luther to the papal influence, the experimental acquaintance accomplishment and the impression of self-determining enterprises and the population state current innovation of human beings. The philosophical feeling transformation suggests that there is the extension with the course of time .This can be seen when most individuals struggle for their right in day to day. They have gained and knowledge and information concerning the freedom of choice in the issues affecting them. Abraham’s character is portrayed form the biblical story by Kierkegaard in three main aspects, Thus: a calling to vacate by God, a character of Saint that is an agreement with God, and difficult of that union with God (Ford).
Several changes in philosophical thought are identifiable throughout the historical culture. Through the materialization of romanticism, we see an understanding that, with passion, the paths of the saint and hero can be combined. It is noticeable how the paths of the saint and hero can be combined in the form of art, to challenge and bring together the pressure between them as portrayed in agony and ecstasy of Michelangelo. The historical context that we view the two paths determines on how to converge them.
Conclusion
Kierkegaard’s interpretation of Abraham shows how the hero-saint union has incompatible and inconsistent tension in response to his cultural climate. Through vigilant analysis, it is clear that the increase of philosophical thought, eventually, shows the dangles of tension from one worldview to another, and that the effort to unite them brings meaning itself. (Irving).With Dante and Saint Francis, the joining together of both paths around a vital shape of the romantic lover was a way to unite the path of the saint and the hero. The course of the hero, in the artistic perspective of Dante and Saint Francis, is one that gives emphasis to freedom. The saint gave emphasis on love. At their time they were challenging the customs by selecting g their lovers instead of the society choosing for them. They efficiently combined the path of the saint with hero by doing this. They described their faith using the romantic relationships and this gave them a way to sermonize it to society. This became possible through their cultural climate openly following the effort to unite by the Islamic and Christian traditions (Irving).
Work cited
Ford, Dennis. The Search for Meaning: A Short History. America: University of California Press, 2007.
Irving, Stone. The Agony and the Ecstasy. California: Arrow, 1961.
Stone, Irving. The Agony and the Ecstasy: A Biographical Novel of Michelangelo. America: New American Library, 2004.
A Cultural Determination of Meaning. StudyMode.com. Retrieved 12, 2012, from http://www.studymode.com/essays/a-Cultural-Determination-Of-Meaning-1305452.html
