Rotimi Fani-Kayode Essay Examples

Fani-Kayode is an African artist with sexual taste for young men. Having left African continent for more than 20 years he considers himself an outsider in issues of sexuality due to geographical and cultural dislocations. African traditional art fails to represent the material reality since the artist’s approach has the intent of depicting spiritual reality. The Yoruba priests and other artists refer to the technique as ecstasy. The technique aesthetic and ethic view attempts to translate rage while undermining conventional perceptions to reveal hidden worlds. Most of the images produced by Rotimi are sexual explicit for homosexual purpose. For the first time Black, men from the Third World reveal their own to the Western world concerning their desire for each other. Blackness, maleness, and sexuality is a straightforward reportage while working in a Western context. African artists often encounter racism concepts while they concentrate on male erotic, and this can lead to conflicts from a human point of view. Rotimi is an active person in various groups on issues of race and sexuality to provide confidence and insight. The awareness of Africa’s history is of fundamental importance in the development of the author’s creativity. The artist sees a parallel of own works with the Osogbo artists living in Yorubaland. The artists resist cultural subversions of neo-colonialism to embrace those of the ancestors. The historic Yoruba civilizations, unlike the European cultures, continue to dominate in the museums due to the depiction of primitive art and culture. The Greek and their philosophical myth is a bizarre superstition with delicate artifacts in the history of art. Yoruba art achieves dominance in the west due to its exotic appeal and the beliefs of the slaves that bear a carnival form. Sexuality affects Rotimi deeply since official history denies validity to erotic relationships and the experiences of the same sex. The Church and the State collaborates to suppress homosexuality. Since history, enriching sexual relationships between members of the same sex continues to exist. For instance, Nazis developed an extreme form of homophobia that continues to exist in the modern times. The Nazis attempted to exterminate the homosexuals in the concentration camps as a form of violent suppression in the European tradition. According to Rotimi, it is essential to resist attempts that can discourage the expression of one’s identity. Rotimi uses photography to express the Black African homosexual.
Van der Watt Liese tracing Berni Searle African Arts depicts South Africa’s struggle and liberation of the oppressed people. The gauge of democracy is the quantifying new houses, supplying of electricity, assessing black equity, laying of water pipes, and political representation. The political landscape in the country changes the public narratives and personal discoveries. The emergence of Berni Seale coincides with South Africa’s decade of democracy. The artist focuses on the apartheid past and the complex development of the country’s political climate. The artist’s work does not overdetermine race or identity politics since it proclaims a subtle process of discovery, interrogation, and exploration. Searle talks of isolated feelings when she joins the Fine Art University in the mid 80’s. The alienation is due to a predominant male society at the level of instruction of the Whites. Seale is frank concerning her frustration in the search of role models as she articulates texts in the embryonic form. Seale finds resonance in the identity politics of the black British theorists such as Paul Gilroy and Kobena Mercer. Her photographic work depict an abstract form on a voluminous structure that consist of the following materials bronze, steel, glass, cement, wire, and the ciment fondue. According to Searle, the creation of the structure took place after South Africa attained democracy. The artistic work depicts euphoric ideals of nationhood and nation building in a strong lexicon regulated by context and instruction.