The Twelfth Night is first revealed in the year 1601, in a letter printed by an Italian called Don Virginio Orsino as duke of Bracciano. He witnessed Shakespeare's cast members accomplish a play at Whitehall court on Twelfth Night, January 6 (Friedlander, 2005). The Duke's label really does not hold any significance in the play and conceivably Shakespeare merely labelled the duke and the play in remembrance of the occasion. Shakespeare's mastermind succeeded in an age of exploration, of speedily evolving technology, and a new attention on the potentials for human existence. I think Shakespeare would have been satisfied with what ultimately derived of the new humanistic views. As Shakespeare was constructing his latter plays, a new state was created in the new realm. Several of the native settlers were Puritans or related spiritual nonconformists. Even though the Massachusetts Bay group was not renowned for religious acceptance, the initial European-Americans sustained the Puritan highlighting on distinct freedom and integrity over government command (SparkNotes Editors). Unrestricted inventiveness and free ideas thrived in the societies. Ultimately, America's founders professed their liberty, expressing that all people possess a God-prearranged right to pursue happiness.
The Twelfth Night just like many of Shakespearean comedies presents numerous connections between an extraordinary assembly of characters, such as nobles, and the lowly servants. These seemingly detached group of characters and their comparable schemes offer comical counterpoint and furthermore reproduce the environment of the Twelfth Night break, which was normally feted by reversing the usual social arrangement. Class and societal position is likewise a recurrent subject in Twelfth Night. The prudish character of Malvolio is fixated with the concept of one’s standing, at all times disdainful to the other lowly servants for their inferiority and fantasizing of wedding Olivia and turning out to be a Count. Sir Andrew Aguecheek similarly desires to wed Olivia, but does not have the opportunity because of his rudeness and vulgarity (SparkNotes Editors). In wedding Olivia, even the decent Sebastian is somehow intimidated by her affluence and societal standing. Viola’s character has lost her riches in a shipwreck and in concealing herself as a page-boy is imitating an unlike category from her own. Viola's camouflage proposes that class, similar to gender identity, is to certain degree an unsettled role that one portrays by assuming a particular set of outfit and conducts.
The play presents the prospective vagueness of gender. And that there are numerous cases in which characters would make one think that Cesario is somewhat like an effeminate male. However, it likewise recommends that gender to some degree is something one can sway, constructed on how one performs of conduct himself or herself, rather than somewhat that one is, founded on the sexual structures one possess naturally. The play moreover displays in what way gender-switches sort the characters' sexual individualities unsteady. Shakespeare's Twelfth Night inspects arrangements of love and engagement by means of a changing of gender roles. The play is definitely a romantic comedy (Shmoop Editorial Team). Romantic love is the storyline’s main concentration. Even though that the play suggests a happy culmination in which many lovers discover one another and enjoy marital enjoyment; somehow Shakespeare displays that love can still effect pain. Most of the characters give the impression to interpret love as a sort of curse, a sense that assaults its fatalities unexpectedly and rudely. Many characters assert to grieve excruciatingly because of being in love, or somewhat, from the pains of a one-sided love. These descriptions comprise a hint of vehemence, of which add into painting those who are in love as sufferers of some casual power in the world. Some people attain romantic contentment, but there are also others that do not enjoy the same situation. At the conclusion of the story, as the blissful lovers exult, the characters of Malvolio and Antonio are prohibited from taking what they both really long for. Malvolio, who has wanted Olivia, needs to eventually confront the understanding that he is a fool, generally undeserving of his noble lover. Antonio’s character is in a more problematic condition; by way of social standards do not consent for the fulfilment of his seemingly sexual fascination to Sebastian. Therefore, love cannot overcome all complications, and those individuals whose longings go unsatisfied continue to be in love but still suffer pain because it is not achieved.
Gender is one of the utmost noticeable and conferred themes in the play. This particular play is one of the great playwright’s supposed transvestite comical pieces, as one leading character Viola pretends to be a man (Shmoop Editorial Team). This kind of scenario produces somewhat of a sexual confusion or chaotic situation. Viola’s character fell for Orsino’s character but she is unable to tell him her feelings. Orsino’s character also developed affection for Cesario of who in reality was Viola. Both of them switched genders and creates a confusion on both side. Towards the end of the progression of the story, Orsino’s character claims that he was already in love with Viola even before he discovered that Cesario is actually Viola. However, Orsino likewise provided an indication that he was even more in love with Viola when she was still displaying a male identity. This kind of situation would somehow create a doubt if Orsino’s love for Viola is genuine or not.
"Twelfth Night" is not really concerning politics, but it is about private existence. Then the major theme is that the search of happiness is not just a correct thing to do, but it is an accountability. The two predominant features pertaining to the the plot and the sub-plot, people can perceive what occurs when somebody attempts to denies or tries to avoid happiness and laughter. It points not to self-esteem or serenity, but to damage of self-discipline and most probably to adversity.
Works Cited:
SparkNotes Editors. “SparkNote on Twelfth Night.” SparkNotes.com. SparkNotes LLC. 2003. Web. 20 Apr. 2015.
Shmoop Editorial Team. "Twelfth Night, or What You Will Analysis." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 26 Apr. 2015.
Friedlander, Ed. “Enjoying "Twelfth Night" by William Shakespeare”. 2005. <http://www.pathguy.com/12n.htm
