This story resembles the example of successful romantic comedy which is concerned about the life of the people after the death when some of them, who has committed the suicide, meet at the way-station in order to exchange the experience and thoughts. The main idea of the film and message delivered by the editor is that everyone should have the worthy life. At the same time, the person should enjoy the life given, while it is highly important to find the person worth loving in order to add value to the personal life. Symbolism plays the important role in supporting the plot of the story. In the place where the people are gathered, the second chance is provided to them in order to decide whether the life if worth living without any restrictions. At the same time, the film contains the reflections of religious symbolism. In order to get the main idea of the film, the audience should not to refer to the attempts to understand the meaning of the actions of every character, Zia, Mikal, etc. Moreover, the film presents the human emotions in white and black. Having appeared in the place full of suicide killers, people think that nothing has been left to loose. In this regard, the characters of the film act in the manner that allows to define all features of the person, whether it is kindness, thieve, etc. Furthermore, the main characters should find themselves in this place in order to continue adequate living. The editor provides the comparison of the live after death with the ordinary living of the workers having the routine duties from day to day (Scott). Through the scenes in the movie, the characters are taught to accept the reality and find the positive movements that may assist them to live happily further in this place after the death. Following this statements, the editor tries to bring to the society the idea that every event plays the important role in the life of every person regardless of the fact whether it is happy moment or not.
Works Cited
Scott, A. "Wristcutters: A Love Story - Movie - Review". Nytimes.com. N.p., 2007. Web. 7 Feb. 2016.
