Introduction
Robert Smithson examines the protocols of the standard modern aesthetics. His arguments point to the development of a limitlessness approach into art inspection, whereby art may exist in the mind of the observer in an abstract fashion. He sees the natural world as the foundation on which the ideological characters of people’s concepts emerge. Smithson indicates that boundaries and protocols do not exist for all artists in the same way. The mind of the artists is as vast and abstract as the earth’s surface. In earth projects, both real and fictional elements interact and trade places. According to ...