Chan-wook Park's 2003 thriller Oldboy tells the story of Oh Dae-su, a middle-aged father who is kidnapped mysteriously one day, being left in an abandoned hotel room with little to sustain him. Being kept alive but locked in the room, Dae-su is eventually released after 15 years, and he vows to take his revenge on the person who kept him there for seemingly no reason. Park's unique take on the revenge thriller is fantastically made, intensely raw in its emotion, and uncompromising in the lengths it will go to in order to shock and affect its audience. The movie is ...
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ABSTRACT
During the last decade, Asian horror cinema has seen a surge in popularity throughout the world, especially in western countries. Traditionally, Japan has dominated the Asian horror cinema, but recently Hong Kong and South Korea have emerged as major powerhouses in the genre. Majority of these movies have enjoyed international success. Moreover, many of these movies have been adapted and remade by Hollywood. As the genre continues to grow, there is a need to understand the social conditions, cultural values, and cinematic traditions which influence the horror movies from Japan, Hong Kong, South Korea, Thailand, Malaysia, Philippines, and Singapore. In particular, ...
Asian horror, as a genre, carries with it a generous mix of scathing subtext and grotesque images. Whether witnessing the wrath of an uncanny ghost girl, seeing people murdered in mountains of gore, or the many subtle avenues in between, many of the best Asian horror films combine shocking sights with potent messages in order to convey an anxiety present in that society at the time. "Setting aside the moral ramifications of such manifest extremities, we can identify the current boom enjoyed by Asian horror and extreme cinema and discern a complex nexus of local, regional and global relationships in play" (Choi ...
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