Sequence Movie Reviews Samples For Students

Takashi Miike's 1999 film Audition is an artful yet horrifying tale of a mild-mannered widower (Ryo Ishibashi) who, in his attempts to find a new wife, falls for a young woman Asami Yamasaki) who is far more than meets the eye. Miike's signature dreamlike mise-en-scene, complete with moody and atmospheric cinematography and strong, vulnerable performances from both leads, creates a twisted romance/revenge film that strongly addresses issues of gender roles and divisions within relationships, particularly as they are applied to Japanese culture. The film explores and critiques notions of romanticism normally found in modern romantic dramas, as the representation of relationships and sexuality in ...

ABSTRACT

During the last decade, Asian horror cinema has seen a surge in popularity throughout the world, especially in western countries. Traditionally, Japan has dominated the Asian horror cinema, but recently Hong Kong and South Korea have emerged as major powerhouses in the genre. Majority of these movies have enjoyed international success. Moreover, many of these movies have been adapted and remade by Hollywood. As the genre continues to grow, there is a need to understand the social conditions, cultural values, and cinematic traditions which influence the horror movies from Japan, Hong Kong, South Korea, Thailand, Malaysia, Philippines, and Singapore. In particular, ...

Hayao Miyazaki’s works have been critically acclaimed in Japan, as well as in the Western world, with his Spirited Away winning an Academy Award and becoming the first Japanese animation film to do so. Miyazaki’s works immerse the audience in fantasy worlds, created by the imagination of the director. What connects all these worlds together is the fact that they are set in the past, in relation to the present time, and possess a high degree of traditional Japanese culture infused in the backgrounds, characters and overall mood. Spirited Away is not an exception; however, it is ...

Chinese cinema has always been at the forefront of international cinema. Despite it being only the 4th largest industry in the world, it has still managed to create an impact on American and European audiences. The story coupled with martial arts and action created crossover appeal with American audiences as early as the 1960s. Characteristics of Hong Kong cinema gave rise to anti-heroes whom went against type but were heroes at the end of the day. Drunken Master (1978), Hard Boiled (1992) and Tomorrow Never Dies (1997) are 3 films which speak to the evolution of Chinese cinema in ...

The 1958 thriller Vertigo, directed by Alfred Hitchcock, is commonly considered to be one of the finest films ever made, and one of the best works of Hitchcock’s career. The tale of a former police officer (James Stewart) who must deal with his issues with heights while also tracking a woman through two different lifetimes, Vertigo is a masterclass in filmmaking’s most subtle and effective techniques, resulting in a work that stands the test of time. Through its innovative use of mise-en-scene, music, performance and more, the film allows for a stunning look into paranoia and duality, raising questions about identity and ...

1.
The opening sequence of the film features Velma Kelly (Catherine Zeta-Jones) alone on stage singing "All That Jazz," while Roxie Hart (Renee Zellweger) watches. In many ways, Roxie sees a role model in Velma, as she presents herself strutting confidently and sexily across the stage. By taking ownership of her femininity, Roxie finds the courage to kill Fred and try to make it in the business. In the closing sequence, in which Velma and Roxie are performing together, Roxie finally reaches the level of strength and poise that is contained by Velma, and they both exhibit it on ...

Genre: Suspense

Director: Alfred Hitchcock
Stars: James Stewart, Kim Novak
Objective Analysis: (give a few examples and provide text to support your examples)
Visual component (such as the art direction, camera angles and movement, cinematography, lighting, visual style, etc.):
Hitchcock’s visual style is tense and scary, with great use of focus and top-down shots to get the feeling of Jimmy Stewart’s “vertigo.” The visual style of the opening sequence is dreamlike and unsettling, as is the dream sequence he has halfway through the movie. It really gives the feeling of losing your grip on reality.
...

Chan-wook Park's 2003 thriller Oldboy tells the story of Oh Dae-su, a middle-aged father who is kidnapped mysteriously one day, being left in an abandoned hotel room with little to sustain him. Being kept alive but locked in the room, Dae-su is eventually released after 15 years, and he vows to take his revenge on the person who kept him there for seemingly no reason. Park's unique take on the revenge thriller is fantastically made, intensely raw in its emotion, and uncompromising in the lengths it will go to in order to shock and affect its audience. The movie is ...

"A Gun in Each Hand" is a film directed by Cesc Gay, who is one of the sharpest chroniclers of the urban middle class of the Catalan. He was born in 1967 in Barcelona and studied in New York and Barcelona. He produced the film "A Gun in Each Hand” in 2012 in Barcelona using the Spanish language. Gay portrays women and eight modern men in their messy lives. Bipolar J. is turned into the perfect psychoanalytic subject. E is living with his mother because he prefers his cat over his wife. In addition, S who is an adulterer ...

«The City of God» - that is how they call the poor slums of Rio de Janeiro, it is a place where poverty coexist with the highest amount of crime - local kids get guns after they learn how to walk. Since the favelas were built to isolate the city center from the poor neighborhoods, the law eventually eft this place and the local gangs began to rule the streets. The narrator of the story, a guy named Rocket (Alexandre Rodrigues) tells about three generations of gangs, which lived in the favela.
The film starts with a beautifully shot ...

Through Rocket's eyes, the audience sees the birth of the when the poor, underclass were moved to the outskirts of the city. The forced poverty and seclusion led to petty crimes and robbing of trucks the passed through the dirt roads. Everything seems to be innocuous, until suddenly, a very young gang member, Lil Dice commits violent murders in a brothel. The scene shifts, the audience sees drugs and weapons in the film for the first time, and Lil Dice becomes the reigning godfather, Li'l Zé (Leandro Firmino da Hora). Like any film about gangsters, audience can somewhat expect ...

Stuart Rosenberg, the director of the film, Cool Hand Luke (1967), is one of the most noted filmmakers in the history of world cinema. Born in 1927, Rosenberg completed his graduation and started hi training as an editor on television programs. At the age of thirty, he graduated from being an editor to a director. After directing close to as many as 50 episodes, he moved to making movies. Thus, he went on to make memorable films like movies Cool Hand Luke, The Amityville Horror, Voyage of the Damned and The Pope of Greenwich Village that immortalized him as a stalwart ...

Sequence Analysis in Pride and Prejudice (2005)
Pride and Prejudice (2005) was Joe Wright's debut as a director of a feature film. It was a tough choice for the studio, because he had no real experience and didn't even read a Jane Austen's novel. But in the end it was the best candidate, because Wright managed to explore his nature talent and was later inspired to direct his other movies like Atonement or Anna Karenina. Pride and Prejudice was the first romantic film he worked on, but later he was admired for his work and the film was welcomed very warmly by ...

Introduction

Science fiction and disaster films often must take dramatic liberties with science and truth in order to serve a greater narrative purpose; events are compressed, effects are exaggerated, and realism and physics are thrown out the window in order to provide greater drama and spectacle (Revkin, 2004). In the movie The Day After Tomorrow, directed by Roland Emmerich in 2004, the world is subjected to global disasters brought about by climate change. The effects are myriad; global cooling sets New York in a coating of ice and freezing temperatures, glaciers crack and separate, and a “superstorm” is said to cause rapid climate ...

Film/novel; Winter's Bone/Winter's Bone Daniel Woodrell/Debra Granik

‘Hope” is the beauty and the very essence of life. A day follows a night, every sunset is followed by sunrise, light at the end of the tunnel – you can ramble on and on so forth. Art in any form, be it a painting, a literary work or a movie is supposed to celebrate the gift of life and most of the time it does. Every fairy tale has a happy ending, a lovely piece of melody fills us with joy of living and a beautiful painting reminds us about the existence of God.
But novels and movies cannot always be preaching how good conquers ...

English 225 Introduction To Film

The film “The Elephant Man” is an iconic and powerful humanistic filmmaking endeavor. Released in 1980, the film relates the story of Joseph Carey Merrick, the real-life figure who was born with a horrible deformity and had to deal with issues of humanity and discrimination in 19th century London. Through the use of compelling performances, assured and minimalistic direction, and a stark, Victorian Gothic aesthetic, director David Lynch forces the horrors and sadness of deformity onto the audience in a way that leaves the viewer tear choked with sadness and sympathy. Most people who watch the film are touched in a way that ...

It is a remarkable phenomenon of American society that a film can transcend its own medium and establish a cultural crossroads where new aesthetic, historical, technological and philosophical sensibilities may at once converge. As such, a movie can capture Zeigeist and reflect the tenor of its era at a magnitude unmatched by any other creative form. Such is the case with the 1939 epic Gone With the Wind, a grand historical fiction that managed to simultaneously tap into the country’s psyche and sense of its own historical past while altering the notion of what was morally acceptable for a film to portray. No other film ...

PROJECT TITLE: Rear Window (1954)

GENRE: Thriller/Suspense

1. Opening Image (1): The movie opens with the view from inside the house of a window of an apartment complex. As the name of the movie says rear window, the audience can infer that it the view from this apartment of the society that forms the premises of the story. One can guess that is from this window that the protagonist might see something that builds into the story of the movie.

2. Theme Stated (5): Roughly five minutes into the movie, Jeffers (James Stewart) says on phone to his editor “Six weeks sitting in a ...