Introduction
Were one to attempt and define the general element in all films by Yasujiro Ozu, he/she would realize that this star had an eye for the human tales about everyday life. In deciding to capture this quality, he used various genres and their dialogues to highlight the specific points that he was trying to put across. Although perceived by some as being a filmmaker with a weakness for slow moving, conservatively lensed films, the certainty proves to be far dissimilar. Whereas it is true that he has mainly made dramas, in the “Good Morning” film, Ozu demonstrates that he is a skilled ...