Alfred Hitchcock's 1960 thriller Psycho is an excellent example of 'pure cinema' - a plethora of filmic techniques are used to great aplomb to elicit feelings of terror and unease in the audience, creating a film that chills to the bone. According to Wilshire, "The essence of Psycho is the way in which Hitchcock brilliantly uses filmic techniques to manipulate the viewer's emotions and expectations (pp. 131-132). This is most certainly true in the film's most iconic scenes, which include Marion Crane's (Vivian Leigh) murder in the shower and Norman Bates' (Anthony Perkins) contemplation in the final shot, but several other ...
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