Federico Fellini’s La Strada (1954): The Components of a Critical Essay on Film Federico Fellini’s La Strada (1954): The Components of a Critical Essay on Film The goal of a filmmaker is to make use of narrative to match well with cinema’s natural formalistic techniques. Cinema, as André Bazin has noted has its own ontology of being both an objective representation of reality seeing through the subjective lens of the preserved image. It has a unique way of both representing reality, by preserving life through a representation of life (Bazin 2004, p. 10). Filmmakers not only communicate ...
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