Essays on Apollonian

English

Analysis of Advertisements According to Fowles’s Categories and Their Effectiveness with Bovee et al. Under Fowles’s list of fifteen emotional appeals, “giving form to people’s deep-lying desires and picturing states of being that individuals privately yearn for, advertisers have the best chance of arresting attention and affecting communication,” while Bovee et al (1989), suggests “that an effective sales pitch contributes to the advertising’s appeal to customers.” ‘The Time’ magazine, dated January 31, 2011, has quite a few news breakers, but one distinct advertisement that draws the attention of most of its readers is the one ...

2 Different Advertisements for Cars Today, cars have come to represent status and culture, and thanks to advertisements, one gets to see what differentiates people based on their taste. Apollo and Dionysius are prominent Gods g Greek mythology. They are both honored with distinct characteristics; creativity and personality. Apollo is known to be the noblest of all, whereas, Dionysius is a rebel and represents wild unbridled emotion. They are like the two poles; similar in structure, but miles apart in characteristics. While spontaneity is associated with Dionysian, methodology and planning is what the Apollonian man adopts. It is in ...

In chapter 2 Nietzsche makes a distinction regarding how people respond to drama and response to events in real life. The arguments present the distinction between Apollonian and Dionysian personalities. The distinction of these two personalities is crucial in gaining an insight as to how people behave in this world. The ultimate goal is to promote full awareness of oneself and the behavior of humanities. It is also vital in discovering how humanities can work for different people. In studying humanities, referring to these personalities is vital in understanding the distinction of personalities portrayed by a person According to Nietzsche’ ...

The black swan is a movie about a girl who discovers her other side through dancing. She is born and raised by an overprotective mother who wants to live her dream through her daughter. Nina, the main character, is a ballerina in a leading company. She is to battle with the new girl from San Francisco, Lily, for the lead role in playing as both the black and the white swan. Nina is originally the collected girl whose mother has protected from all the happenings of the world. However, the tragedy strikes when she turns evil in an effort to win the role, ...

Gustav Klimt was an important painter in the history of art, and one of the few artists appreciated in their own lifetimes. His portrait of Adele Bach Bauer I in particular illustrates how the flow of his life’s work ran through the Victorian Age, into the Edwardian era and influenced the genres that followed. In part, due to the times in which he lived he was exposed to a world in transition. Born on July 14, 1862 in the Austrian-Hungarian city of Baumgarten during the Victorian era he studied at the Vienna School of Arts and Crafts until 1883. ...

"PunishmentA strange thing, our punishment! It does not cleanse the criminal, it is no atonement; on the contrary, it pollutes worse than the crime does.” In this statement, Nietzsche questions the contemporary perspective on punishment, the good and evil. According to Nietzsche (a self-confessed Dionysian), punishment is a creation of the Apollonian god who alternately punishes and shows mercy, to demonstrate his power. This sets a poor precedent for modern civilization, established to nurture creativity over rationality. Unfortunately, modern civilization anchors on similar precedents. Punishment has nothing to do with reforming character and behavior; it has everything to do with making people ...

“Pure philosophical writing is the anti-image.” - Agamben

In exploration of frameworks of both covert and overt manifestations of indeterminacy, these concerns are revealed, as representations, in philosophies of aesthetic iconoclasm and art, artifacts as symbolic, and modern issues related to Being and subjectivity, both of which are analogous to Nietzsche’s model of the relationship. For example, tragedy, comprised of Dionysian and Apollonian forces which combine in a chiasmic unity of oppositions, according to Professor Fred Ulfers, are characterized by Nietzsche as beautiful, singular and factual on the one hand (Apollonian), and sublime, multiple, and fictional on the other ( ...