The idea of representation has long been a difficult one in the history of human culture. Representation involves two separate actions: seeing and creating. Both of these contain complex semiotic processes that must occur within the mind, which means that the result of representation can vary significantly from one person to the next, or even from one point in time to another for the same person. In the case of sculpture, the process of seeing takes on one of two forms: actual visual interplay with a subject or imaginary conception of a subject. Even if the subject is already real and stands ...
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