While pretending to challenge the ideology of white patriarchal capitalism, this film actually conforms to white patriarchal capitalism. The primary two characters, whom we are supposed to sympathize with, are white, very heterosexual, and lower to middle-class, the quintessential “normal” inhabitants of white patriarchal America. The behavior of characters in this film furthers the white patriarchal “thinking of lesbian and gay subordination as a separate axis of oppression that intersects with gender, race and class axes of oppression” (Calhoun, 2002). Chuck and Larry encounter a great deal of discrimination from a very patriarchal, macho culture – it is not helped by the fact ...
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