The following analysis of Persona and Solaris reveals how movies from unlike countries and of different genres portray the development of opposite human personalities while losing or gaining humanity under the external influences and internal self-recognition. The attempts to create a fine movie about internal and external of human life do not often impress much, especially nowadays when we experience an endless flow of visual images. Probably, it inspires people to look back at the classic works that not only represent the unusual transformations in the forms of self but also produce extraordinary rhythms in the scenes (Tarkovsky 113). ...
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