In terms of both our vocations and hobbies, we often aspire to become great. What happens, however, when this very desire consumes and overtakes us? The 2010 film "Black Swam" starring Natalie Portman as a high-profile ballet dancer, shows its viewers that unchecked ambition can be a dangerous and ultimately deadly thing. This message is achieved primarily through the film's use of detail-heavy camerawork, its character depiction, and its embrace of magical realism and distortions of reality. The main character Nina loses her identity, herself to become perfect and on this way to the culmination of her transformation she ...
Essays on Camerawork
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In terms of both our vocations and hobbies, we often aspire to become great. What happens, however, when this very desire consumes and overtakes us? The 2010 film "Black Swam" starring Natalie Portman as a high-profile ballet dancer, shows its viewers that unchecked ambition can be a dangerous and ultimately deadly thing. This message is achieved primarily through the film's use of detail-heavy camerawork, its character depiction, and its embrace of magical realism and distortions of reality. The film's camerawork often becomes consumed with details in a way that is strange or even unsettling for a viewer. One of ...
A. SCREENWRITING
In the writing of this script, I used quite a few influences from other films and genres that I very much enjoy. First and foremost was Ron Howard's A Beautiful Mind, as I wanted to be able to imply that the main character was slowly but surely losing his mind over the course of the short film. Given that I only have three minutes of film in which to accomplish this task, I took the route of keeping it open-ended as to whether or not the events in the film were taking place strictly in Vincent's head, or if it ...
Scene 14: June: A Dance Party at the Colony (Start: 1h 33m 37s - End: 1h 38m 49s)
In the 2004 film The Motorcycle Diaries, a young Ernesto "Che" Guevara (Gael Garcia Bernal) goes on a cross-continent trip on a beaten-down motorcycle with his friend Alberto Granado (Rodrigo de la Serna) to see the sights and be one with the land before settling down. Over the course of the film, Ernesto and Granado learn a great deal about themselves and the rest of South America, including some of the economic and social inequalities that would eventually spur Ernesto into action as one of ...