Chimamanda Ngozi Adichie brings us the fictional work entitled “Birdsong” in 2010, and as is usual for her, does so in a way that seems to be nonfiction. Reading anything by Adichie, the prominent Nigerian author, who frequently puts a 21rst century face on the Igbo people, is almost an invitation to reading the private diary of someone’s life, whether that life is that of a person living through a civil war, a person struggling to grasp American culture as she arrives from Nigeria in search for a better life, or as the girlfriend to a married man, ...
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