Kenneth Branagh's adaptation of William Shakespeare's Much Ado About Nothing is true to the characters, plot, and language of the original play. However, it is not just a flat, uninspiring copy. Instead, it builds on Shakespeare's language and the play's cast of characters with the addition of cinematography, sound, and other elements. The effectiveness of these elements is especially prevalent in the early part of act 1, scene 1, where Benedict and Beatrice trade barbs after Claudio and Hero have been introduced. The effective use of sound and blocking in this scene serves to highlight how others view Benedict ...
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Much Ado about Nothing features many virtuous, proper characters who behave in an upper-class manner befitting the upper crust of the Renaissance. As a result, a great importance is placed upon virginity, chastity, and avoiding scandal at any cost. Virtue and honor are very important in this society, with a great emphasis on remaining faithful and virginal for one’s husband. In this essay, the ideals of virtue and virginity/sex will be explored in Much Ado about Nothing, including how many characters deal with these issues. In the beginning of the play, Claudio is attempting to woo Leonato’s daughter, Hero. ...
SUMMARY
In light of the “revelation” that Hero has been unfaithful, Leonato becomes extremely saddened and feels betrayed by her. Leonato continues with the ruse that Hero is dead, in order to expose the person who would betray her. He challenges Claudio to a duel and leaves; then Benedick challenges Claudio as well, having felt betrayed by Claudio’s actions, which led to Hero’s apparent death. This leads Claudio and Don Pedro to realize that he does, in fact, love Beatrice. Dogberry and Verges bring Borachio and Conrad with them and convey the truth of their crimes to Claudio and ...
SUMMARY
Hero begins the plan to bring Beatrice and Benedick together by holding a conversation with Ursula and Margaret about how Benedick is in love with Beatrice, with Beatrice overhearing – they attempt to guilt her into having feelings for Benedick. They talk him up, stating that he is a catch, and Beatrice decides that it might be a good idea to “take pity” on poor Benedick and give him a chance.
On the other side of the coin. Benedick is being teased by Leonato, Don Pedro, and Claudio about opting to never marry. Benedick says he has changed his mind, but will not say ...