In the world of Jane Austen adaptations, Joe Wright’s 2005 film Pride and Prejudice proves itself incredibly innovative in its approach. Prior attempts at adapting Austen works, including Pride, focus on a clean-cut, ornate and incredibly stately world of Victorian England, with upper-class characters spending the entire film in eloquent settings and speaking in decidedly unapproachable manners. Wright, along with screenwriter Deborah Moggach, eschew this aesthetic in order to provide their adaptation of Pride and Prejudice with a more casual, approachable take on the classic Jane Austen romance, complete with a greater emphasis on naturalism, grit and approachability. ...
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