Kahlo defines retablo as a compendium of sculpture, paintings and images with religious connotation connected by an architectural frame, which ornamented the backside of the main altar i.e. altar mayor and the capillas meneres i.e. secondary chapels of churches and cathedrals. They were usually painted on wood or canvas. They played a strong edifying purpose and thus contributed to a great extent to the comprehending of the holy texts and honoring holy persons who could sometimes be referred to as painted images. (Maria, 21) Retablo could also be used to mean the small oil-paintings that could depict a saint, the Virgin Mary, Christ ...
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