Introduction
Abstraction entails the use of visual language of form to create compositions that exist with some extent of independence from their worldly visual references. This is a trend that has permeated in art since the renaissance era. While most abstraction was seen in paintings and sculptures, modernist artists are incorporating this technique in films. This has been very apparent through many films that we have watched throughout the course. Abstraction imageries have tempered the plots to good effect. The imagination is that these were deliberates attempts to communicate certain perspectives. This paper explores this possibility citing two films that we ...