In this document, a critical review of the film ‘Tetsuo: The Ironman” (1989) directed by Shiny Tsukamoto is done. The main objective of this paper is to determine the formal content, historical and political significance of the film. There is a prior focus on the issues of propaganda in cinema and stakes of political modernist art. Tetsuo is a Japanese film that is pictured on the mainstream of Japanese cinema that become dead at the end of 1980s. Japanese cinema has undergone numerous of phases. However, this document emphasizes on the creative crisis that was faced by Japanese cinema ...
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