Introduction
Maurice Merleau-Ponty begins his essay “Eye and Mind” with a comment on science. Studying the world in the manner that science does, takes a person out of one’s body, he says. It places the world in a series of definitions, constructs, indices and variables, allowing only the understanding of minute, exact changes to have a status of legitimacy. He says science “comes face to face with the real world only at rare intervals” (Ponty, 121). For any lover of art who lives in this practical, rational capitalistic society, this point of view is refreshing. Today, typically, the real world is referred to ...
