Essays on Hue

Retroactive I is a silkscreen painting that Rauschenberg made in 1963. He used silkscreen and oil on a canvas to come up with this painting. This silkscreen work is considered the best of Rauschenberg's works of this nature. It falls within a series of similar paintings done by Rauschenberg between 1962 and 1964. This piece of art is drawn from the popular press and is, therefore, a representation of Pop art. Rauschenberg was keen in representing American iconography and Pop culture (Shanes, 175). He was, throughout his career, identified with Pop culture. He developed a style that emphasized on ...

Chapter 1 – Introduction to Color Study

1. What is the difference between direct light and reflected light? Give examples of each. Direct light travels from the source to the destination without being interrupted while reflected light is the light produced when the direct light bounces off a material. One example of direct light is the sunlight while reflection from the mirror is an example of reflected light (Young, Freedman & Ford, pp. 1080). 2. Describe the cause of color, the means used to generate it, and the effect. Light consists of a spectrum of light wavelengths which have a representative color; thus, upon reaching the retina ...

The article highlights the origin and development of the Albers’ color theory by noting that Albers ideas profoundly influenced Luis Barragan’s work with color. The article notes that although the utilization of highly changed color is contextual, evaluation of the color bands produced by individuals working independently, the crafts and traditional buildings highlight an absence of the cohesive patterns of Barragan. Furthermore, besides the environmental influences, the interest that Barragan gained from his friends shaped his work. In particular, Barragan’s designs seem not to be spontaneously generated by based on intelligent and scholarship authority (O'Leary 115). It ...

Patricia O’Leary’s article “Barragan Homage to Albers” refers to Luis Barragan’s architectural style, enriched over the years through influences from painters from the architect’s close proximity. O’Leary mentions Jesus Reyes or Raul Ferrera as two Mexican painters that are known for inspiring Barragan’s use of color in architecture. However, the article mostly focuses on the impact that the painting of the German painter, Josef Albers, had on Barragan’s use of color in architecture. The writing focuses on Barragan’s shifts from the modest and discrete use of color prior to his friendship ...

The Dance Class

Edgar Degas’ The Dance Class is a classic oil painting from 1874. The piece was chosen for its complexity of color, as well as its dimension. Though it is two-dimensional, as a painting, Degas managed to use the subjects to convey depth. The texture is also interesting. The shadow, shading, and lines also add an element of expertise to the painting. As mentioned, the painting is two-dimensional, having been conveyed on a flat surface with oil as the medium. The lines in the piece are either straight or angular. They are almost geometric, despite the presence of human bodies, ...