Possibly one of the most fascinating films of Abbas Kiarostami’s career (to say nothing of its contribution to Iranian cinema), 1990’s Close-Up is a masterful exploration of identity, filmmaking, and the fuzzy distinctions that are often made between fiction and documentary films. Existing somewhere between those two film genres, Close-Up follows the events surrounding the actual trial of Hossein Sabzian, who is brought up on charges of impersonating the famous Iranian filmmaker Mohsen Makhmalbaf. Kiarostami, in his use of the real figures involved in the case in scripted scenes (re-enacting the real events that occurred) manages to combine ...
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It is important that Makhmalbaf understand the past because; the movie (A moment of innocence) is a combination of reality, fiction and some sort of documentary about past events. A greater understanding of the past plays an important role in bringing out the reality part of the film. Certainly, a moment of innocence is concerned with perspective and memory. Clearly, it is important to understand the past because; the film aims at recreating the scene in the past where Makhmalbaf stabbed an officer as he took part in a public protest. He tries to re-stage the scene, but instead makes the film ...