Jimi Hendrix’s cover of the Bob Dylan folk song, “All Along the Watchtower,” adapts the song from Dylan’s mellow and malicious folk song to an exuberant, angry rock anthem for young people in the late 1960s. Under Jimi’s alterations, the instrumentation turns ominous and aggressive, his exuberant vocals sounding almost pleading. The song contains a limited chord structure and longer-than-usual musical sections, as well as unsettling improvisation and call-and-response from the vocals and guitar (Zak, 2005). The combination of all these musical elements make the listener, especially one who was young in 1968 (when the song was ...
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