Essays on Moustache

The Mask of Agamemnon

There are a lot of artworks that will always contain some secret concerning its true origin and authenticity. One of such sculptures is definitely the case with the Mask of Agamemnon. This artifact from the Greek Bronze Age was discovered by distinguished German archaeologist, Heinrich Schliemann, in Mycenae dated 1876. After the stunning discovery of the real location of the legendary Troy, Schliemann was next planning to find the final resting place of Agamemnon, the famous king of ancient Mycenae who headed the Greek troops during the Trojan War. All his grand triumphs and tribulations are eulogized in Homer’ ...

Abstract

The roots of the history of sculpture in Europe can be traced back to the ancient Greece, where the great traditional forms of architectural sculpture, large-scale sculpture and statues flourished. The Greek sculptors primarily worked in stone and bronze. Classical and Hellenistic style of sculpture in Greek art carry distinct characteristics. Where the Classical sculpture is restrained and balanced, Hellenistic sculpture is extravagant plus dynamic. The composed and solemn expression of a classical figure gives in to the passionate expression found in the Hellenistic sculptures. The human body is seen to be the primary focus of ancient Greek sculptures, and ...

English

- Introduction The late twentieth century has become the “'age of the image” in the sense that gender roles has affected the stereotypical representation of men and women. McDermott and Schwartz argued that the gender role journey theory is suited to comprehend how men and women adapt their gender role identities in society (202). At the same time, media has presented a theoretical framework in the manner men traverse from positions of acceptance of the conventional gender roles to feminist activism and gender role supremacy. To be able to have a deeper understanding of the gender role journey over time, ...

“Ah, Mr. Rossi, you are here. Please, sit on that chair… yes, that one right next to the stove,” the photographer addressed young Massimiliano Rossi, who had undertaken special grooming procedures early this morning in the little room he was renting, above a sultry dry-cleaning store, owned by an immigrant, just like himself. Recognizing in each other the destitute position of an alien in a no man’s land, they silently offered each other the hand of friendship through little adumbrations of good will: lower rent, free dry-cleaning, sharing of food. That morning, Massimiliano’s tawny, chestnut eyes were looking ...