Perhaps one of the most commonly known rights guaranteed by the first ten amendments to the Constitution is the Fourth Amendment’s “right of the people to be secure in their persons, houses, papers and effects against unreasonable searches” (U.S. Const. amend IV). Interestingly, while the meaning of the term “unreasonable” might seem intuitive, the Framers of the Constitution did not provide a specific or detailed definition of it. However, after the Supreme Court; relying on the fact that Article III of the Constitution vested the Court with the judicial power to “all cases” that arise under the “Constitution, ...
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Parties: Charles Katz (Defendant-Applicant) v. United States (Plaintiff-Respondent)
Facts: Katz had long been suspected by police to be involved in the local illegal gambling scene. In an effort to obtain credible evidence of his illegal activities, the police placed Katz under surveillance (Katz v United States, 1967). That surveillance revealed that Katz liked to use a particular phone booth, which police suspected Katz used to place bets. Consequently, the police attached a “big” or listening device to the phone booth in order to record Katz’s conversation and hopefully obtain evidence against him. The bug was able to record Katz making bets and the police used those ...
Katz v. United States, 389 U.S. 347 (1967) Privacy issues remain one of the key issues in criminal law and entire legal justice system. Katz v. United States, 389 U.S. 347 (1967) is one of the famous cases that highlights the nature of the right to privacy and provides legal definition of a legal search. The court’s ruling refined the former definition of the legal search and legal seizure clauses of the Fourth Amendment to consider infringement with any kind of communication technology as a search (Brandon Garrett, The right to privacy (Rosen Pub. Group) (2001) (Garrett, 2001). ...
The verite documentary movement was a way of separating documentary film technique of new works from the previous era of sound documentaries from the 1930s and 1950s. Verite can be characterized by a greater dedication to realism in form, without the staginess and artificiality of previous schools of filmmaking. D.A. Pennebaker’s Don’t Look Back, about Bob Dylan’s concert tour in the United Kingdom, is an incredible work of cinema verite, with its stark realism and matter-of-factness in presentation of these events. Perhaps one of the most perfect examples of the ‘new grammar’ of verite as a filmmaking technique comes ...
Katz v. United States (1967)
In 1967, the security agents, FBI arrested Katz and charged him for conducting illicit gambling activities from California to Boston and Miami. The FBI placed a listening and recording gadget on the telephone booth and listened to Katz illegal conversation. In the Southern District Court found Katz guilty and sentenced him. The defendant appealed against the case, but the court of Appeal affirmed the charges. Katz appealed for his case to be ruled by the Supreme Court.
Issue
The issue, which Katz seeks a review of the ruling is the government has no right to wire-tape a public ...
Men in Cages: Alienation and Liberation in Collateral (2004) and Phone Booth (2002) The thriller and neo-noir genres have always been preoccupied with lost men in dark cities – the presence of the towering modern cityscape in urban thrillers is often used as a metaphor to demonstrate mankind’s alienation in a sprawling, dehumanizing, technology-obsessed city. “What makes the portrayal of the city [in film] as a wild, savage place plausible to us is at least in part our cultural memory that the city can legitimately be described as a jungle” (Light 155). The urban thriller often depicts city life as a depressing, shallow ...
On trying to teach children what constitutes success, one would most certainly accentuate the notion of working hard, never giving up, fighting for what one believes in and desires for himself. However, Tom Tykwer’s Run Lola Run goes beyond this simple notion of working hard and one will get what one wants, no matter what. By allowing the movie-goers the privilege to see three different outcomes in his narrative structure, with different causes and thus, different consequences, and revealing a highly intense mise-en-scene relating characters to colors, he introduces the questions of whether a human being can really achieve what ...