In answering how Aristotle’s definition of tragedy applied to Sophocles’ Oedipus Rex one must look at Aristotle’s definition of tragedy in Poetics. Aristotle says in chapter 6 that tragedy is “a mimesis of a high, complete action in speech pleasurably enhanced, the different kinds occurring in separate sections, in dramatic, not narrative form, effecting through pity and fear the catharsis of such emotions” (Aristotle). Aristotle most likely had the play in mind as he wrote the Poetics, since he referred to it numerous times. There are also six elements of tragedy which are, mimesis of character, mimesis ...
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Introduction:
general overview of the research project; outlining of the main objectives of the work.
Project 1: Theoretical part.
Examination of Aristotle’s theory of tragedy, represented in his treatise “Poetics”; outlining the main points delivered by the authors; giving definitions to the philosophical concepts of Aristotle’s theory explaining their essence in artistic context.
Project 2: Practical Part.
Matching the main principles of tragedy to the play written by the great Shakespeare; analyzing the congruence of the tragedy principles delivered by the philosopher of the Antiquity to the tragedy produced be the Medieval playwright; the researches own speculation about the concept of tragedy its main features in ...
English (Course Code)
Abstract In Emerson’s essay, ‘’Nature’’, we can see how important religion is to him. Each of his essays leads us to an understanding on how to attain a perfect relationship with God through nature. The goal of science here is discover the purpose of nature. But is it necessary to reconcile both science and religion? This essay will be arguing that there is no need for reconciling science and religion since both are independent from each other. The possible solutions are to grasp knowledge of both without the need of differentiating the two and to respect both facts. ...
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ORDER AN ESSAYPeople copy each other all the time – they take bits and pieces from what they remember or like and reappropriate them to suit their needs. This happens all the time; it’s called inspiration. But where do you draw the line between inspiration and plagiarism? In this paper, we will examine the differences between the two, as well as the perspective of important philosophers such as Kant and Aristotle on the subject of plagiarism and inspiration.
In the case of Dorothy Lewis in Malcolm Gladwell’s article “The Picture Problem,” the issue is whether the playwright of the acclaimed ...
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