“The Walking Man” (bronze, 7-1/2 x 2-1/2 x 5-1/4 feet) is part of a period of sculpture that arose after his completion of The Burghers of Calais and Monument to Honore de Balzac. This period focused on incomplete figures and focused on anatomical detailing specific to the parts of the body being sculpted. Modern in its almost impressionistic provision of a glimpse at a part of a person, instead of a realistic rendering of a whole identity, “The Walking Man” not only comments on the restlessness of man in the twentieth century (if not throughout all time), it also derives power from the sheer energy ...
Essays on Rilke
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