In the world of Jane Austen adaptations, Joe Wright’s 2005 film Pride and Prejudice proves itself incredibly innovative in its approach. Prior attempts at adapting Austen works, including Pride, focus on a clean-cut, ornate and incredibly stately world of Victorian England, with upper-class characters spending the entire film in eloquent settings and speaking in decidedly unapproachable manners. Wright, along with screenwriter Deborah Moggach, eschew this aesthetic in order to provide their adaptation of Pride and Prejudice with a more casual, approachable take on the classic Jane Austen romance, complete with a greater emphasis on naturalism, grit and approachability. ...
Essays on Stateliness
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The Virgin and Child (Virgin of Paris) in Notre-Dame is a sophisticated, demure piece, as it depicts a stoic Madonna, standing in a sconce on the famous cathedral, holding her child. She wears a large, ornate crown above her head, while her toga flows modestly around her. In her right hand, she holds a goblet, while in her left arm she holds the infant Christ. Christ is depicted as looking like a small adult, as opposed to a pure infant, though his face is still cherubic and innocent. The Christ’s tiny arms are outstretched, reaching past her for the goblet with one hand while holding a ...
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