Bertolt Brecht has long been viewed as one of the first practitioners of what is known as the epic form of theater, in which he sought to bring novel changes to drama, breaking away from the conventional forms. These alterations were part of an attempt to bring significant change to society at large. In this particular case, Brecht created a new aesthetic that was designed to usher in a Marxist revolution; indeed, his entire purpose in life was to free humanity from the material form of suffering. In The Good Person of Szechwan, the viewer sees the ways in which social ...
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