For André Bazin, the famous film critic and theorist from France, cinemas were a realist medium. This is why majority of film theorists would perhaps argue that that if he got a look at the computer-animated film WALL·E (2008) by Disney/Pixar, he would turn over in his grave. His theories revolved around the notion that there is always a mummy complex underlying the origin of any form of art, including cinema. Bazin’s notion suggests that art struggles to immortalize the mortal, to preserve the physical existence on screen. According to Bazin, the medium that eliminates most of the distance between ...
Essays on Wall·e
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